酸甜苦辣小夫妻2.8

厲害之處在於：即使這則故事的階級敘述是如此先行卻依舊有著2019年最頂尖且勝之《嫂子嫂子在线免费高清》的娛樂性地下室看似千迴百轉（遮蔽觀眾視線的結構為追逐懸念提供了不少功勞）細看卻能發現不過是繞屋子外沿一整圈的單徑；反倒一二樓正廳看似寬敞通明房與房之間卻從未有一套清晰的空間關係建立此也是兩側居住者所處「功夫之王 电影」的差別：下位者的生活不管怎樣轉折都注定終點不是茅廁酸甜苦辣小夫妻就是在陰暗角落為上位者磕頭點燈

最初喜欢上这个剧是因为对人物身上那些挣扎与困惑的认同感但当这一季主创完全放飞自我各种作的时候这一切显得无比漫长第二季在风格化上无疑走的更远也更成功但对角色的塑造大多是无效的所以到最后发现连喜欢的cp都没得嗑的时候实在想不起除了眼花缭乱的颜色这一季还给观众留下了啥

迷你亡灵夜稍微有些意思酸甜苦辣小夫妻只是视觉上移轴摄影加定格动画概括了丧尸片灾难片的套路第八集隧道刚开始的镜头真的惊到我了那一刻以为是真人演出第九集更是惊为天人全程都考虑是否是真人视觉上很完美但其他方面不过尔尔整个第三季仍然缺乏眼前一亮的惊喜

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

因为张艺兴去过长沙酸甜苦辣小夫妻真的很喜欢这个城市